In Search of Jacob and Sarah Gardner, and Antigua George and Kate Webb, enslaved at Bennett’s Point, Queen Anne’s County

The 1749 will of Richard Bennett III (Bennett’s Point, Queen Anne’s County, Maryland) allocates at least 36 enslaved people to Bennett’s cousin John Rousby, who also inherits the land of Bennett’s Point and southern Morgan’s Neck where Bennett had resided since around 1700. As I have discussed elsewhere, the named enslaved individuals bequeathed to RousbyContinue reading “In Search of Jacob and Sarah Gardner, and Antigua George and Kate Webb, enslaved at Bennett’s Point, Queen Anne’s County”

In Search of Dick, a free man of color from Bennett’s Point, Queen Anne’s County, Maryland

As we continue to trace persons enslaved by Richard Bennett III of Bennett’s Point, Queen Anne’s County, on the Eastern Shore of Maryland, I have been intrigued by the case of “Dick,” the only enslaved person whom Bennett manumitted in his September 1749 will. As I have previously noted, Bennett devotes a paragraph to thisContinue reading “In Search of Dick, a free man of color from Bennett’s Point, Queen Anne’s County, Maryland”

In search of the enslaved man Jack Gooby, from Bennett’s Point, Queen Anne’s County, and his descendants

I have been trying to trace enslaved people held at Bennett’s Point on Morgan’s Neck in Queen Anne’s County, Maryland, referenced in the 1749 will of Richard Bennett III. (Our information on these enslaved people is limited because it appears that no probate inventory of Bennett’s estate was taken, perhaps because neither he nor hisContinue reading “In search of the enslaved man Jack Gooby, from Bennett’s Point, Queen Anne’s County, and his descendants”

Guide to online resources about Barry Farm

Cindy Claure-Veizaga has created this guide to online resources about Barry Farm in Anacostia, Ward 8. Washington DC. This serves as a supplement to the student-authored website, Southeast Voices: History and Memory in Barry Farms, Ward 8 (Holding on to Home: The Untold Story of Barry Farm) See all student-authored online community research exhibits forContinue reading “Guide to online resources about Barry Farm”

Artwork by Izzy Bradbury and a Poem by Nadia Liban, honoring Atwai Bassett

My students Isabella (“Izzy”) Bradbury and Nadia Liban at American University have created two works of expressive art honoring“Atwai” (Deceased) Pochahsquinest Bassett, (1936-1968). Izzy created the multimedia collage piece “At Last!” and Nadia wrote a poem, “I can still see the stars.” We hope this page will serve as a resource for others learning aboutContinue reading “Artwork by Izzy Bradbury and a Poem by Nadia Liban, honoring Atwai Bassett”

Community Research Projects (Race and Racism, ANTH 210), Fall 2025 American University

During Fall 2025, students in Dr. Mark Auslander’s Race and Racism course (American University) undertook small group community research projects, exploring the dynamics of racism, anti-racism, resilience, and resistance in our immediate environs. Many students were deeply concerned by current efforts to reshape historical memory in museums, including the Smithsonian museums. Others partnered with friendsContinue reading “Community Research Projects (Race and Racism, ANTH 210), Fall 2025 American University”

Objects in Motion: Student Anthropology Projects (USC Capital Campus, Fall 2025)

Overview: During Fall 2025, students in Dr. Mark Auslander’s “Global Studies and Cross Cultural Analysis” course (ANTH205), at the University of Southern California’s Capital Campus (Washington DC) pursued research projects on objects of exchange (primarily international exchange) that have come to rest in the nation’s capital. As a class, we have been especially interested inContinue reading “Objects in Motion: Student Anthropology Projects (USC Capital Campus, Fall 2025)”

Remixing Zanele Muholi’s Ntozakhe II: The Echos Project of the Capital Hill Boys Club of Anacostia DC

This weekend (November 21-23) the Umbrella Art Fair (International Square, 1850 K Street, NW Washington DC) features a dazzling installation presented by the Capital Hill Boys Club Intergenerational Gallery. The project emerges out of the celebrated National Gallery of Art exhibition, Afro Atlantic Histories, April 10 – July 17, 2022https://www.nga.gov/exhibitions/afro-atlantic-histories which originated in a majorContinue reading “Remixing Zanele Muholi’s Ntozakhe II: The Echos Project of the Capital Hill Boys Club of Anacostia DC”

Celebrating the Murals at the Capital Hill Boys Club Gallery

Recently, my USC-Capital Campus students and I visited the Capital Hill Boys Club Intergernational Art Gallery at 16th and Marion Barry Avenue, SE in Washington DC’s Ward 8. (We had been inspired by Elizabeth O’Gorek’s excellent article, “A Hub For Artists: Capital Hill Boys Club Art Gallery” (East of the River) July 16, 2025https://eastoftheriverdcnews.com/2025/07/16/a-hub-for-artists-capital-hill-boys-club-art-gallery/) WeContinue reading “Celebrating the Murals at the Capital Hill Boys Club Gallery”

Amphibious Assaults: Why are Dancing Protest Frogs “Good to Think”?

by Ellen Schattschneider and Mark Auslander We just read Christie Thompson’s delightful interview with L.M. Bogad (author of “Tactical Performance: The Theory and Practice of Serious Play”) on the long political tradition of absurdist protest and “tactical frivolity” that is exemplified by the Portland Frog Brigade, Operation Inflation, and the other dancing costumed frogs andContinue reading “Amphibious Assaults: Why are Dancing Protest Frogs “Good to Think”?”