Artist Lynn Marshall-Linnemeier routinely “mines” the visual history of race in America, combing through iconography found in old stereoscopic images, postcards, photographic albums. She repositions figures from the era of enslavement and Jim Crow, who were initially framed in keeping with prevailing white nationalist racial conceptions. Her multimedia composites give in effect, new life toContinue reading “Ancestral Imagery in Lynn Marshall-Linnemeier’s “Sweeps””